When I was starting I practiced doing figures of eight with the wheels and progressed to signing my name with them. “Operating the wheels needs to become second nature as it can be a disaster if the technique of operating distracts from the relationship that an operator has with the subject. He’s such a capable artist who, at the core of it, is OK with releasing his “art” into the public - shortcomings and all. It is this combination of attitudes that makes Deakins a voice of reason in cinematography circles. He’s also quick to point out that his job is ultimately to serve the director and that the “art” of cinematography is meaningless when it doesn’t benefit the director’s vision. Deakins is aware of this and, while striving for artistic relevance in his films, acknowledges that he sometimes needs to get out of the way and avoid favoring perfectionism over the realistic obstacles of a shoot. Roger Deakins on the Art of CinematographyĬinematography is a strange blend of creative art and practical resourcefulness. Instead, it’s best we just get to the point: 25 pieces of filmmaking advice from Roger Deakins himself, pulled from his website where he interacts with fans and filmmakers on all topics from careers to cinematography basics. No - Roger Deakins needs very little introduction as a master of cinematography. Surely you already know him as the talented cinematographer behind films like The Shawshank Redemption, A Beautiful Mind, and almost every Coen Brothers film since Fargo.Īnd by now, as a fan of filmmaking and a filmmaker, you’ve discovered that when Deakins talks, what comes out is a treasure trove of wisdom - only overshadowed by answers so candid and honest that his responses are more engaging than many movies themselves. Try to enlighten.Is it really worth my time to give Roger Deakins an introduction? In this spirit we encourage detailed and insightful posts, comments, and discussions on the Cinema Arts. This is a place to learn from and share with professionals. Professionals and amateurs alike unite to discuss the world of filmmaking. r/Filmmakers is a place to meet, share work, tips, tutorials, and experiences in the field. Piracy or advocacy of piracy is not toleratedįollow us on Twitter or join the Reddit Filmmakers Network on Facebook. No Travel Videos or V-Log videos are allowed. Please remember that simply posting your film or page for views or subscriptions is not allowed. For example, you can detail lighting setups, explain how a particularly complex shot was achieved, or go over any setbacks that hit production and what you did to overcome them.Īll submission statements must be at least 100 characters in length and be submitted within 30 minutes of submitting your post. Outline your involvement in the project and provide some insight on how it was made. If sharing your work and not seeking advice, your post must serve an educational purpose for the rest of the community. It may also help if you provide some of your own thoughts on your work, such as what you see as your strengths or areas of improvement and why. There are many aspects to filmmaking, so specifying what you want people to focus on will get you better results than simply asking for general feedback. If you are seeking advice or feedback, explain what it is you need help with, whether that's lighting, cinematography, audio, editing, or something else entirely. If submitting a film, trailer, or other creative content, you must select the "FILM" flair and include a submission statement (a comment on your post) elaborating on the following: Please treat all users with respect and politeness.
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